His television appearances are very rare, his interviews centered, even the cannibalization rites of “Ancora”, fueled daily by the media, are consumed in his absence. His appointments are measured, sometimes unexpected. With each return, however, a new generation of audience mixes with the all-time faithful. His physical absence from the scene seems to increase the anxious expectation of his return, each time more evocative, protected by a shield of respect and credit that does not undergo deadlines. It is difficult to understand where the media and communicative force binds him to his audience. Sometimes, when he finds himself immersed in the crowd of his concerts, it seems as if there has been a secret appointment! Those who have lived the experience of listening to his concert know how difficult it can be to explain “something” that Eduardo sends us back with such casual elegance. “Something” magical that leads him to cross time and fashions, to overcome the usual generational divisions, cultural barriers. “Something” that escapes the normal control of the commercial product. Maybe here’s the answer: Eduardo is not a product, he is simply an artist.